American Dante Bibliography for 2018

Compiled by Eva Plesnik

This bibliography is intended to include all publications relating to Dante (books, articles, translations, reviews) published in North America in 2018, including reviews published in North American journals of books published elsewhere.

The following entries are also included in the comprehensive Bibliografia Dantesca Internazionale/International Dante Bibliography database, maintained by the Società Dantesca Italiana with the collaboration of the Dante Society of America since 2017; see: https://bibliografia.dantesca.it/.

The Bibliographical Committee of the Dante Society of America (E. Brilli, W. Caferro, C. Dupont, and A. Wainwright) supervised the American Dante Bibliography for 2018. We are grateful to the Centre for Medieval Studies, University of Toronto, for its generous support of this year’s bibliography.

Please send notices of any corrections or omissions to dantesociety@gmail.com.

Translations

Alighieri, Dante. “The Boiling Blood”. transl. by Henry Wadsworth Longfellow. Bruce, Scott G., ed. The Penguin Book of Hell. New York: Penguin Books, 2018: 149-154. [Inferno 12, lines 1–139, adapted and rendered into idiomatic English by Scott G. Bruce]

Alighieri, Dante. “The Filthy Fen”. transl. by Henry Wadsworth Longfellow. Bruce, Scott G., ed. The Penguin Book of Hell. New York: Penguin Books, 2018: 147–148. [Inferno 7, lines 97–130, adapted and rendered into idiomatic English by Scott G. Bruce]

Alighieri, Dante. “The Forest of the Suicides”. transl. by Henry Wadsworth Longfellow. Bruce, Scott G., ed. The Penguin Book of Hell. New York: Penguin Books, 2018: 155–160. [Inferno 13, lines 1–151, adapted and rendered into idiomatic English by Scott G. Bruce]

Alighieri, Dante. “Through the Gates of Hell”. transl. by Henry Wadsworth Longfellow. Bruce, Scott G., ed. The Penguin Book of Hell. New York: Penguin Books, 2018: 141–148. [Inferno 3, lines 1–136, adapted and rendered into idiomatic English by Scott G. Bruce]

Alighieri, Dante. “Trapped Under Ice”. transl. by Henry Wadsworth Longfellow. Bruce, Scott G., ed. The Penguin Book of Hell. New York: Penguin Books, 2018: 161–165. [Inferno 34, lines 1–99, adapted and rendered into idiomatic English by Scott G. Bruce]

Books

Baxter, Jason M. A Beginner’s Guide to Dante’s “Divine Comedy”. Grand Rapids: Baker Academic, 2018.

Caferro, William. Petrarch’s WarFlorence and the Black Death in Context, Cambridge; New York: Cambridge University Press, 2018. [Dante pp. 37–45]

Kriesel, James C. Boccaccio’s CorpusAllegory, Ethics, and Vernacularity, Notre Dame: University of Notre Dame Press, 2018. [Dante passim]

O’Brien, Catherine. Martin Scorsese’s “Divine Comedy”Movies and Religion, London; New York: Bloomsbury Academic, 2018.

Stern, Paul. Dante’s Philosophical LifePolitics and Human Wisdom in Purgatorio, Philadelphia: University of Pennsylvania Press, 2018.

Dissertations

Banella, Laura. Rewriting Dante: The Creation of an Author from the Middle Ages to the PresentPhD Dissertation, Duke University: ProQuest Dissertations Publishing, 2018.

Braico, Giovanni. Dis-affective Meditation: The Demons and Vices of ChantillyPhD Dissertation, New York University: ProQuest Dissertations Publishing, 2018. [On ms.: Chantilly, Musée Condé, MS 597]

Bronson, Gregory. Death and Rebirth in Chivalric Quest NarrativesMA Dissertation, Middle Tennessee State University: ProQuest Dissertations Publishing, 2018. [Dante passim]

Collins, Matthew. Text and Image in Dante's Commedia and Its Earliest Printed Illustrations (1481-1596): PhD Dissertation, Harvard University: ProQuest Dissertations Publishing, 2018.

DeMartino, Dawn Francine. Cosmos and Polis: The Good City in “The Orestia” and “The Divine Comedy”: PhD Dissertation, Drew University: ProQuest Dissertations Publishing, 2018.

Di Fenza, Antonio. Likeness, Bewilderment, and Sweetness: The Italian Pathway to Lyrical SciencePhD Dissertation, Cornell University: ProQuest Dissertations Publishing, 2018. [Dante passim]

Faibisoff, Leah. Chancery Officials and the Business of Communal Administration in Republican Florence: Ventura and Niccolò Monachi, Chancellors of Florence (1340-48/1348-75): PhD Dissertation, University of Toronto: ProQuest Dissertations Publishing, 2018. [Dante pp. 129–144, and passim].

Heath, Maureen. The Evolution of Individualism Through ChristianityPhD Dissertation, Georgetown University: ProQuest Dissertations Publishing, 2018. [Dante pp. 105–131]

Levitsky, Anne AdeleThe Song from the Singer: Personification, Embodiment, and Anthropomorphization in Troubadour LyricPhD Dissertation, Columbia University: ProQuest Dissertations Publishing, 2018.

Nahoe, Francisco. The Italian Verse of MiltonPhD Dissertation, University of Nevada, Reno: ProQuest Dissertations Publishing, 2018. [Dante passim]

Peters, Jeffrey. Dying into Life: Keats’s Apollonian SalvationPhD Dissertation, Catholic University of America: ProQuest Dissertations Publishing, 2018. [Dante pp. 201–236]

Poggi, Alfredo Ignacio. La ira antiimperialista: Lope de Aguirre y la izquierda LatinoamericanaPhD Dissertation, Georgetown University: ProQuest Dissertations Publishing, 2018. [Dante pp. 41–62]

Reeves, Brianna. The Evolution of the Satan Figure: From 14th Century Literature to 20th Century Popular CultureMA Dissertation, Sam Houston State University: ProQuest Dissertations Publishing, 2018. [Dante passim]

Rhodes, Samantha. Dante and Doctrinal Debates: Nardo di Cione’s “Inferno" Fresco in the Santa Maria Novella ChurchMA Dissertation, American University: ProQuest Dissertations Publishing, 2018.

Selmanaj, Edlira. L’uso della metafora dello specchio nella “Divina Commedia" di DanteMA Dissertation, Southern Connecticut State University: ProQuest Dissertations Publishing, 2018.

Weintritt, April Danielle. Culinary Professions in Early Modern Italian ComedyPhD Dissertation, University of North Carolina, Chapel Hill: ProQuest Dissertations Publishing, 2018. [Dante pp. 30–38]

Articles

Adoyo, C. S. “Dante decrypted: Musica universalis in the textual architecture of the Commedia”. Bibliotheca Dantesca: Journal of Dante Studies 1.1, (2018): 37–69. [online: https://repository.upenn.edu/bibdant/vol1/iss1/3/ ]

Aresu, Francesco Marco. “Visual Discourse in Petrarch’s Sestinas”. Mediaevalia 39, (2018): 185-215. [Dante passim; online: https://www.doi.org/10.1353/mdi.2018.0006]

Babyak, Tekla. “Dante, Liszt, and the alienated agony of Hell". Bibliotheca Dantesca: Journal of Dante Studies 1.1, (2018): 196–218. [online: https://repository.upenn.edu/bibdant/vol1/iss1/11/]

Banella, Laura. “Boccaccio as Anthologist and the Dawn of Editorial Auctoritas”. Mediaevalia 39, (2018): 275–297. [Dante passim; online: https://www.doi.org/10.1353/mdi.2018.0009; on mss.: Florence, Biblioteca Medicea Laurenziana, Plut. 90 sup. 136; Florence, Biblioteca Medicea Laurenziana, Plut. 90 sup. 137 and Florence, Biblioteca Nazionale Centrale, Conv. Soppr. B II 1267]

Batcheller, Gretchen, and Jane Kelley Rodeheffer. “Musing Dante and Divining Milton: A Collaboration Modeled on The Saint John’s Bible Project”. Baker, Jack R., Jeffrey Bilbro and Daniel Train, eds. The Saint John’s Bible and its TraditionIlluminating Beauty in the Twenty-First Century, Eugene: Pickwick Publications, 2018: 155–172.

Boersma, Hans. “Speech and Vision: Dante’s Transhumanizing Journey”. Boersma, Hans. Seeing GodThe Beatific Vision in Christian Tradition, Grand Rapids: William B. Eerdmans Publishing Company, 2018: 219–256.

Bologna, Corrado. “Boccaccio e l’invenzione del canone dei Classici moderni”. Heliotropia. Forum for Boccaccio Research and Interpretation 15, (2018): 5–38. [Dante passim; online: http://www.brown.edu/Departments/Italian_Studies/heliotropia/15/bologna.pdf]

Borra, Antonello. “Preliminari a una rilettura delle Epistole entomologiche”. Forum Italicum. A Journal of Italian Studies 52.1, (2018): 49­–62. [Dante pp. 53–58; online: https://doi.org/10.1177/0014585817750384]

Boysen, Benjamin. “The Triumph of Exile: The Ruptures and Transformations of Exile in Petrarch”. Comparative Literature Studies 55.3, (2018): 483–511. [Dante passim; online: https://www.muse.jhu.edu/article/704945]

Brilli, Elisa. “Dante’s Biographies and Historical Studies: An Ouverture”. Dante Studies 136, (2018): 133–142. [online: https://doi.org/10.1353/das.2018.0004]

Brownlee, Kevin. “Music and the act of song in Dante’s Purgatorio and Paradiso”. Bibliotheca Dantesca: Journal of Dante Studies 1.1, (2018): 233–244. [online: https://repository.upenn.edu/bibdant/vol1/iss1/13/]

Cappelletti, Irene. “La brigata in Purgatorio. Qualche ipotesi sulla struttura del Decameron”. Heliotropia. Forum for Boccaccio Research and Interpretation 15, (2018): 57–92. [Dante passim; online: http://www.brown.edu/Departments/Italian_Studies/heliotropia/15/cappelletti.pdf]

Ciabattoni, Francesco. “Temporando col dolce l’acerbo: Instrumental and vocal polyphony in the Commedia”. Bibliotheca Dantesca: Journal of Dante Studies 1.1, (2018): 108–126. [online: https://repository.upenn.edu/bibdant/vol1/iss1/6/]

Collins, Matthew. “The Forgotten Morgan Dante Drawings, Their Influence on the Marcolini Commedia of 1544, and Their Place within a Visually-Driven Discourse on Dante’s Poem”. Dante Studies 136, (2018): 93–132. [online: https://doi.org/10.1353/das.2018.0003 ; on ms: New York, Morgan Public Library, B3 026 A10]

Crudale, Alfred R. “Canzone, t’ho allevato per figliuola d’amore: Three songs of love in Dante’s Vita Nuova”. Bibliotheca Dantesca: Journal of Dante Studies 1.1, (2018): 1–11. [online: https://repository.upenn.edu/bibdant/vol1/iss1/1]

Di Fonzo, Claudia. “Dalla letteratura al diritto e ritorno: il concetto di nobiltà da Dante a Tasso passando per Bartolo”. Forum Italicum. A Journal of Italian Studies 52.1, (2018): 3–16. [online: https://doi.org/10.1177/0014585817750556]

Diaz, Sara E. “Authority and Misogamy in Boccaccio’s Trattatello in laude di Dante”. Holmes, Olivia and Dana E. Stewart, eds. Reconsidering BoccaccioMedieval contexts and global intertexts, Toronto: University of Toronto Press, 2018: 164–188.

Eckstein, Nicholas A. “Prepositional City: Spatial Practice and Micro-Neighborhood in Renaissance Florence”. Renaissance Quarterly 71.4, (2018): 1235–1271. [online: https://www.doi.org/10.1086/700857]

Eisner, Martin. “Dante’s Ballata: The Personification of Poetry and the Authority of the Vernacular in the Vita Nuova”. Mediaevalia 39, (2018): 299–318. [online: https://www.doi.org/10.1353/mdi.2018.0010]

Fiorentini, Luca. “Archaeology of the Tre Corone: Dante, Petrarca and Boccaccio in Benvenuto da Imola’s Commentary on the Divine Comedy”. Dante Studies 136, (2018): 1–21. [online: https://doi.org/10.1353/das.2018.0000]

Gazzoni, Andrea. “Scores for a particular chemical orchestra: the Commedia and the matter of sound in Osip Mandelstam’s Conversation about Dante”. Bibliotheca Dantesca: Journal of Dante Studies 1.1, (2018): 12–36. [online: https://repository.upenn.edu/bibdant/vol1/iss1/2/]

Gelmi, Alberto. “Filostrato: An Unintentional Comedy?”. Heliotropia. Forum for Boccaccio Research and Interpretation 15, (2018): 93–109. [Dante passim; online: http://www.brown.edu/Departments/Italian_Studies/heliotropia/15/gelmi.pdf]

Giusti, Francesco. “Temporalità liriche. Ripetizione e incompiutezza tra Dante e Caproni, Montale e Sanguineti”. California Italian Studies 8.1, (2018) [online: https://www.escholarship.org/uc/item/87x199p7]

Gragnolati, Manuele, and Elena Lombardi. “Autobiografia d’autore”. Dante Studies 136, (2018): 143–160. [online: https://doi.org/10.1353/das.2018.0005]

Gragnolati, Manuele, and Francesca Southerden. “Poetry Without End: Reiterating Desire in Petrarch’s Rvf 70 and 23”. California Italian Studies 8.1, (2018) [Dante passim; online: https://www.escholarship.org/uc/item/5996x6qn]

Havely, Nick. “Seget’s Comedy: A Scots Scholar, Galileo, and a Dante Manuscript”. Petrina, Alessandra and Ian Johnson, eds. The Impact of Latin Culture on Medieval and Early Modern Scottish Writing. Kalamazoo: Medieval Institute Publications, 2018: 199–222. [On ms.: Milan, Biblioteca Ambrosiana, MS C 198 inf.]

Heinsen, David. “Ironizing Ugolino”. Bibliotheca Dantesca: Journal of Dante Studies 1.1, (2018): 70–95. [online: https://repository.upenn.edu/bibdant/vol1/iss1/4/]

Inglese, Giorgio. “Una biografia impossibile”. Dante Studies 136, (2018): 161–166. [online: https://doi.org/10.1353/das.2018.0006]

Katinis, Teodoro. “Dante among Sophists and Skeptics”. Katinis, Teodoro. Sperone Speroni and the Debate over Sophistry in the Italian Renaissance. Leiden; Boston: Brill, 2018: 118–123.

Kelly, Henry Ansgar. “Epistle to Cangrande Updated”. Dante Notes, (2018) [online: https://www.dantesociety.org/node/131]

Kriesel, James C. “The Marvelous Between Dante and Boccaccio”. Traditio 73, (2018): 213–254. [online: https://www.doi.org/10.1017/tdo.2018.7]

Leitch, Vincent B. “Dante Alighieri (1265–1321)”. Leitch, Vincent B., ed. The Norton Anthology of Theory and Criticism. New York; London: W. W. Norton Company, Inc., 2018: 194–199.

Levitsky, Anne Adele. “Song Personified: The Tornadas of Raimon de Miraval”. Mediaevalia 39, (2018): 17–57. [Dante pp. 26–27; online: https://www.doi.org/10.1353/mdi.2018.0001]

Looney, Dennis. “Dante Alighieri and the Divine Comedy in Nineteenth-Century America”. Connell, William J. and Stanislao G. Pugliese, eds. The Routledge History of Italian Americans. New York: Routledge, 2018: 91–104. [online: https://www.routledgehandbooks.com/doi/10.4324/9780203501856.ch5]

Lovatt, Helen. “Reading Virgil through Dante: Literary Ancestry in Ugolino Verino, Carlias 6–8”. Houghton, L. B. T. and Marco Sgarbi, eds. Virgil and Renaissance Culture. Tempe: Arizona Centre for Medieval and Renaissance Studies and Brepols Publishers, 2018: 159–180.

Martinez, Ronald L. “Dante buon sartore (Paradiso 32.140): Textile Arts, Rhetoric, and Metapoetics at the End of the Commedia”. Dante Studies 136, (2018): 22–61. [online: https://doi.org/10.1353/das.2018.0001]

Matthews, Ricardo. “Song in Reverse: The Medieval Prosimetrum and Lyric Theory”. Publications of the Modern Language Association of America 133.2, (2018): 296–313. [online: https://www.doi.org/10.1632/pmla.2018.133.2.296]

McMenamin, James F. “Petrarch’s Adamantine Chains: The Anniversary Series of “Love” (RVF 107–118) and the Song of “Glory” (RVF 119)”. Viator 49.2, (2018): 251–276. [Dante passim; online: https://www.doi.org/10.1484/J.VIATOR.5.118209]

McRae, Joan E. “Alain Chartier’s Livre de l’Espérance: A Remodeling of Dante’s Commedia?”. Digital Philology. A Journal of Medieval Cultures 7.2, (2018) [online: https://doi.org/10.1353/dph.2019.0002 ; on mss.: Paris, BnF, ital. 74 and Paris, BnF, ital. 72]

Milani, Giuliano. “La vita di Dante iuxta propria principia”. Dante Studies 138, (2018): 167–175. [online: https://doi.org/10.1353/das.2018.0007]

Morosini, Roberta. “Boccaccio’s Cartography of Poetry, or the Geocritical Navigation of the Genealogy of the Pagan Gods”. California Italian Studies 8.1, (2018) [Dante pp. 2–5; online: https://www.escholarship.org/uc/item/3bf722mr]

Newman, Barbara. “The Seven-Storey Mountain: Mechthild of Hackeborn and Dante’s Matelda”. Dante Studies 136, (2018): 62–92. [online: https://doi.org/10.1353/das.2018.0002]

Nussmeier, Anthony. “Italian Studies: Due and Trecento I (Dante)”. The Year’s Work in Modern Language Studies 78.1, (2018): 249–257.

Olson, Kristina M. “Worse than Dante’s Hell: Parents, Children and Pain at the Border”. Dante Notes, (2018) [online: https://www.dantesociety.org/node/132]

Papillo, Paul J. “Puzzle, Pun, and Visual Morph in Divine Comedy Manuscripts: Beinecke Library MS 428, British Library Lansdowne MS 839, and Biblioteca Nazionale Marciana MS It. IX, 276 (=690)”. Manuscripta 62.1, (2018): 57–94. [online: https://www.doi.org/10.1484/J.MSS.5.116009 ; on mss.: Beinecke Library, 428; British Library Lansdowne, 839; and Biblioteca Nazionale Marciana, It. IX, 276 (=690)]

Pastor, Joel Salvatore. “Fragmentational Poetics: Staging the Crisis of Oratory in Petrarch’s Political Canzoni”. Mediaevalia 39, (2018): 59–87. [Dante passim; online: https://www.doi.org/10.1353/mdi.2018.0002]

Pellegrini, Paolo. “De profundis per l’Instant Book”. Dante Studies 136, (2018): 176–186. [online: https://doi.org/10.1353/das.2018.0008]

Peterson, Thomas E. “From Casella to Cacciaguida: A musical progression toward innocence”. Bibliotheca Dantesca: Journal of Dante Studies 1.1, (2018): 219–232. [online: https://repository.upenn.edu/bibdant/vol1/iss1/12/]

Phillips-Robins, Helena. “Singing for Dante in Purgatorio 30–31”. Bibliotheca Dantesca: Journal of Dante Studies 1.1, (2018): 127–145. [online: https://repository.upenn.edu/bibdant/vol1/iss1/7/]

Rabissi, Francesco. “Rielaborazioni del comico dantesco in Totò al giro d’Italia e Totò all’Inferno”. Italica. Journal of the American Association of Teachers of Italian 95.4, (2018): 551–563.

Raffa, Guy. “Dan Brown’s Infernal Riddle”. Dante Notes, (2018) [online: https://www.dantesociety.org/node/128]

Rea, Roberto. “Reaching salvation”. De Pourcq, Maarten and Sophie Levie, eds. European Literary HistoryAn Introduction, London; New York: Routledge, 2018: 118–127.

Redner, Harry. “Ulysses in Homer, Virgil and Dante”. Redner, Harry. Ulysses and FaustTradition and Modernism from Homer till the Present, New York; London: Routledge, 2018: 23–49. [Dante pp. 41-48]

Reitman, Nimrod. “Allegory’s Lament from Benjamin to Dante”. Modern Language Notes 133.5, (2018): 1362–1389. [online: https://www.doi.org/10.1353/mln.2018.0086]

Roglieri, Maria Ann. “Nineteenth- and twentieth-century musical adaptations of Dante’s CommediaDante’s greatest hits”. Bibliotheca Dantesca: Journal of Dante Studies 1.1, (2018): 177–195. [online: https://repository.upenn.edu/bibdant/vol1/iss1/10/]

Rossellini, Ingrid. “Dante’s Summa: The Divine Comedy”. Rossellini, Ingrid. Know ThyselfWestern Identity from Classical Greece to the Renaissance, New York: Doubleday, 2018: 307–321.

Russo, Fiorentina. “Stasis and carnal song: Dante’s Medusa and the siren”. Bibliotheca Dantesca: Journal of Dante Studies 1.1, (2018): 96–107. [online: https://repository.upenn.edu/bibdant/vol1/iss1/5/]

Schmitt, Jean-Claude. “Dante en rêveur médiéval: Memoria funéraire et récit autobiographique”. Dante Studies 136, (2018): 187–200. [online: https://doi.org/10.1353/das.2018.0009]

Schwebel, Leah. “The Pagan Suicides: Augustine and Inferno 13”. Medium Aevum 87.1, (2018): 106–132.

Schwebel, Leah. “Triumphing over Dante in Petrarch’s Trionfi”. Mediaevalia 39, (2018): 89–113. [Dante passim; online: https://www.doi.org/10.1353/mdi.2018.0003]

Sciortino, Cassandra. “‘The Central Man of all the World’: Dante and the Pre-Raphaelites in the Nineteenth Century”. Buron, Melissa E., ed. Truth and Beauty: the Pre-Raphaelites and the Old Masters. San Francisco: Fine Arts Museums of San Francisco, 2018: 81–83.

Sowell, Madison U. “Dentro a la danza de le quattro belle (Purg. 31.104): Dance in Dante’s Commedia”. Bibliotheca Dantesca: Journal of Dante Studies 1.1, (2018): 157–176. [online: https://repository.upenn.edu/bibdant/vol1/iss1/9/]

Stoppino, Eleonora. “Ariosto’s Genealogies”. Modern Language Notes 133.1, (2018): 32–47. [Dante pp. 36–37, 45; online: https://www.doi.org/10.1353/mln.2018.0004]

Tavoni, Mirko. “Dante e il ‘paradigma critico della contingenza’”. Dante Studies 136, (2018): 201–212. [online: https://doi.org/10.1353/das.2018.0010]

Tomassino, Pier Mattia. “The Iberian and Italian Mi’rag by Giovanni Battista Castrodardo: An Unknown Dante Scholar and Muhammad’s Ascension into Heaven”. Tomassino, Pier Mattia. The Venetian Qur’anA Renaissance Companion to Islam, transl. by Sylvia Notini. Philadelphia: University of Pennsylvania Press, 2018: 93–114.

Tyre, Jess. “Conversations with Francesca: Tchaikovsky, Liszt, and Wagner (and Zandonai and Granados and Rachmaninov) go to hell”. Bibliotheca Dantesca: Journal of Dante Studies 1.1, (2018): 146–156. [online: https://repository.upenn.edu/bibdant/vol1/iss1/8/]

Verdicchio, Massimo. “Anger and Imagination in Dante and Virgil”. Italica. Journal of the American Association of Teachers of Italian 95.4, (2018): 535–550.

Walden, Justine. “Exorcism and Religious Politics in Fifteenth-Century Florence”. Renaissance Quarterly 71.2, (2018): 437–477. [online: https://www.doi.org/10.1086/698138]

Wallace, David. “Lives of Dante: Why Now?”. Dante Studies 136, (2018): 213–222. [online: https://doi.org/10.1353/das.2018.0011]

Warner, Lawrence. “Teaching Langland and Dante”. Goodmann, Thomas A., ed. Approaches to Teaching Langland’s “Piers Plowman”. New York: The Modern Language Association of America, 2018: 104–111.

Webb, Heather. ““The Lake of my Heart”: Blood, Containment, and the Boundaries of the Person in the Writing of Dante and Catherine of Siena”. Lander Johnson, Bonnie and Eleanor Decamp, eds. Blood MattersStudies in European Literature and Thought, 1400–1700, Philadelphia: University of Pennsylvania Press, 2018: 31–42.

Wells, Courtney Joseph. “Cobbling Together the Lyric Text: Parody, Imitation, and Obscenity in the Old Occitan Cobla Anthologies”. Mediaevalia 39, (2018): 143­–183. [Dante pp. 171–172; online: https://www.doi.org/10.1353/mdi.2018.0005]

Woelfel, Craig Bradshaw. “Beliefs about Belief: Eliot, Dante, and Religious Experience in The Waste Land”. Woelfel, Craig Bradshaw. Varieties of Aesthetic ExperienceLiterary Modernism and the Dissociation of Belief, Columbia: University of South Carolina Press, 2018: 35–69.

Zak, Gur. “Between Ghismonda and Massinissa: Boccaccio, Petrarch and the Uses of Tragedy”. Heliotropia. Forum for Boccaccio Research and Interpretation 15, (2018): 233–251. [Dante pp. 237–241; online: http://www.brown.edu/Departments/Italian_Studies/heliotropia/15/zak.pdf]

Reviews

Alighieri, Dante. Paradiso. annotated by Alison Cornish, transl. by Stanley Lombardo. Indianapolis - Cambridge: Hackett, 2017.

Alfie, Fabian. Speculum 93.3, (2018): 823–824. [online: https://www.doi.org/10.1086/698676]

Calabrese, MichaelThe Medieval Review, (2018) [online: https://scholarworks.iu.edu/journals/index.php/tmr/article/view/25771

Kumar, Akash. Speculum 93.1, (2018): 197–198. [online: https://www.doi.org/10.1086/696029]

Ardizzone, Maria Luisa. Reading as the angels read: speculation and politics in Dante’s “Banquet”. Toronto: University of Toronto Press, 2016.

            Took, John. Modern language review (London) 113.1, (2018): 251–253.

Barnes, John C. and Daragh O’Connell, eds. Dante and the Seven Deadly Sins. Twelve Literary and Historical Essays. Dublin: Four Courts Press - UCD Foundation for Italian Studies, 2017.

            Locke, Rebekah. Modern language review (London) 113.4, (2018): 883–884.

Barolini, Teodolinda and Manuele Gragnolati, eds. Dante’s Lyric Poetry: Poems of Youth and of the “Vita Nuova”, Toronto: University of Toronto Press, 2014.

            Cervigni, Dino S. Speculum 93.1, (2018): 195–196. [online: https://www.doi.org/10.1086/696014]

Bertelli, Sandro. La tradizione della “Commedia” dai manoscritti al testo. II. I codici trecenteschi (oltre l’antica vulgata) conservati a Firenze. Firenze: Olschki, 2016.

Aresu, Francesco MarcoRenaissance Quarterly 71.2, (2018): 790–791. [online: https://www.doi.org/10.1086/699117]

Bianchi, Luca, Simon Gilson and Jill Kraye, eds. Vernacular Aristotelianism in Italy from the Fourteenth to the Seventeenth Century. London: The Warburg Insitute, 2016.

Refe, LauraRenaissance Quarterly 71.1, (2018): 219–220. [online: https://www.doi.org/10.1086/697759

Ciabattoni, Francesco. La citazione è sintomo d’amore. Cantautori italiani e memoria letteraria. Roma: Carocci, 2016.

            Barattoni, LucaForum Italicum. A Journal of Italian Studies 52.1, (2018): 214–216.

DeLorenzo, Leonard J. and Vittorio Montemaggi, eds., afterword by Robin Kirkpatrick. Dante, Mercy and the Beauty of the Human Person. Eugene: Cascade Book - Wipf and Stock Publishers, 2017.

            Bugliani Knox, FrancescaThe Heythrop Journal LIX, (2018): 103–104.

Falkeid, Unn. The Avignon Papacy Contested: An Intellectual History from Dante to Catherine of Siena, Cambridge (U.S.) - London: Harvard University Press, 2017.

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