American Dante Bibliography for 2011

Richard Lansing

This bibliography is intended to include all publications relating to Dante (books, articles, translations, reviews) written by North American writers or published in North America in 2011, as well as reviews of books from elsewhere published in the United States and Canada. 

 

Translations

Alighieri, Dante. La Commedia di Dante Alighieri. With commentary by Robert Hollander. Translated and edited by Simone Marchesi. Florence: Olschki, 2011.

Alighieri, Dante. The Divine Comedy of Dante Alighieri, Volume 3: Paradiso. Translated by Robert M. Durling. Oxford: Oxford University Press, 2011.

Alighieri, Dante. Dantes Inferno. A New Translation in Terza Rima. Translated by Robert M. Torrance. Bloomington, Ind.: Xlibris, 2011.

 

Studies

Special Issue on Dante. Lettere Italiane 63, no. 2 (2011). Edited by Carlo Ossola.

Accessus ad Auctores: Studies in Honor of Christopher Kleinhenz. Edited by Fabian Alfie and Andrea Dini. Tempe, Ariz.: ACMRS, 2011.

Aleksander, Jason. “Dante’s Understanding of the Two Ends of Human Desire and the Relationship between Philosophy and Theology.” The Journal of Religion 91, no. 2 (2011): 158–87.

Aleksander, Jason. “The Problem of Theophany in Paradiso 33.” Essays in Medieval Studies 27, no. 1 (2011): 61–78.

Alfie, Fabian. “Diabolic Flatulence: A Note on Inferno 21.139.” Forum Italicum 45, no. 2 (2011): 417–27.

Alfie, Fabian. Sixteenth–Century Criticism of Dante’s Tenzone with Forese Donati: Vincenzo Borghini’s ‘De’ poeti antichi toscani.’” In Alfie and Dini, Accessus ad Auctores, 137–53.

Alfie, Fabian. Dantes Tenzone with Forese Donati: The Reprehension of Vice. Toronto: University of Toronto Press, 2011.

Allaire, Gloria. Dante Equestrian.” In Alfie and Dini, Accessus ad Auctores, 157–68.

Anderson, Elizabeth. “To Love and Be Loved: Petrarchan Friendship in the ‘Canzoniere’ and the ‘Triumphs.’” PhD diss., University of Chicago, 2011. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 72.5 (November 2011): 1662.

Antonielli, Arianna. “Dantesque Perspectives in T. S. Eliot’s Inventions of the March Hare.” In Douglass, T. S. Eliot, Dante, 63–74.

Applauso, Nicolino. “Curses and Laughter: The Ethics of Political Invective in the Comic Poetry of High and Late Medieval Italy.” PhD diss., University of Oregon, 2010.

Dissertation Abstracts International, Section A: The Humanities and Social Sciences 71.9 (March 2011): 3288–89.

Ardissino, Erminia. “‘Ciascuna cosa qual ell’ è diventa’ (Pd XX, 78). Metamorfosi e vita beata.” Lettere Italiane 63, no. 2 (2011): 208–23.

Ardizzone, Maria Luisa. Dante. Il paradigma intellettuale. Un inventio degli anni fiorentini. Florence: Leo S. Olschki Editore, 2011.

Armour, Peter. “Exile and Disgrace.” In Dante in Oxford: The Paget Toynbee Lectures, 39–68.

Armour, Peter. “Friends and Patrons.” In Dante in Oxford: The Paget Toynbee Lectures, 102–30.

Armour, Peter. “Misfortune and Poverty.” In Dante in Oxford: The Paget Toynbee Lectures, 68–101.

Ascoli, Albert Russell. “Tradurre l’allegoria: Convivio II, I.” Critica del Testo 14, no. 1 (2011): 153–75.

Atturo, Valentina. “Contemplating Wonder: ‘Ad–miratio’ in Richard of St. Victor and Dante.” Dante Studies 129 (2011): 99–124.

Bacigalupo, Massimo. “Types of Ecstasy—Paradise Regained in Eliot and American Modernism.” In Douglass, T. S. Eliot, Dante, 111–22.

Bagorda, Anna. “Il ‘Paradiso’ e il ‘Liber XXIV philosophorum’: L’ente divino ai confini di una metafora.” PhD diss., New York University, 2010. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 72, no. 1 (July 2011): 186–87.

Baika, Gabriella. ‘Com’ Altrui Piacque’: Myth, Weltansicht, and Rhetoric of Otherness in Inferno 26.” Romanische Forschungen 123, no. 4 (2011): 454–72.

Baika, Gabriella. “Tongues of Fire and Fraud in Bolgia Eight.” Quaderni d’italianistica 32, no. 2 (2011): 5–26.

Baird, Robert P. “Three Essays on Dante’s Soteriology.” PhD diss., University of Chicago, 2010. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 72.2 (August 2011): 609.

Barański, Zygmunt G. Appunti su Guglielmo Maramauro, sull’auctoritas e sulla ‘lettura’ di Dante nel Trecento.” In Alfie and Dini, Accessus ad Auctores, 223–37.

Barański, Zygmunt G. “Dante ‘poeta’ e ‘lector’: ‘poesia’ e ‘riflessione tecnica’ (con divagazioni sulla Vita nova).” Critica del Testo 14, no. 1 (2011): 81–110.

Barnes, John C. “Dante’s Knowledge of Florentine History.” In Dante in Oxford: The Paget Toynbee Lectures, 131–46.

Barolini, Teodolinda. “Dante’s Sympathy for the Other, or the Non–Stereotyping Imagination: Sexual and Racialized Others in the Commedia.” Critica del Testo 14, no. 1 (2011): 177–204.

Belliotti, Raymond Angelo. Dantes Deadly Sins: Moral Philosophy in Hell. New York: Wiley–Blackwell, 2011.

Benfell, V. Stanley. The Biblical Dante. Toronto, Ont.: University of Toronto, 2011.

Bermann, Sandra. “In the Light of Translation: On Dante and World Literature.” In Foundational Texts of World Literature, ed. Dominique Jullien (New York: Peter Lang, 2011), 85–100.

Boitani, Piero. “Dante in Inghilterra.” Critica del Testo 14, no. 3 (2011): 227–42.

Boitani, Piero. “Irish Dante: Yeats, Joyce, Beckett.” In Gragnolati, Camilletti, and Lampart, Metamorphosing Dante, 37–60.

Brooker, Jewel Spears. “Enlarging Immediate Experience: Bradley and Dante in Eliot’s Aesthetic.” In Douglass, T. S. Eliot, Dante, 3–14.

Brooker, Jewel Spears. “What T. S. Eliot Learned from Dante.” Journal of the T. S. Eliot Society of Korea 21, no. 2 (2011): 1–20.

Burwick, Frederick. “Masaniello on the London Stage.” In Burwick and Douglass, Dante and Italy in British Romanticism, 161–82.

Capelli, Amedeo. “The Social Network of Dante’s Inferno.” Leonardo 44, no. 3 (2011): 246–47.

Casadei, Alberto. “Incipit vita nova. Dante Studies 129 (2011): 179–86.

Casagrande, Gino. “‘Quando a cantar con organi si stea’ (Purgatorio IX 144).” Studi Danteschi 76 (2011): 165–78.

Casella, Stefano Maria. ‘[R]estoring / With a New Verse the Ancient Rhyme’: T. S. Eliot’s and Ezra Pound’s Poetic Homages to Dante.” In Douglass, T. S. Eliot, Dante, 95–110.

Castelli, Daniela. “The First Love in Hell: The Merciful Nature of Dante’s Eschatological Justice.” PhD diss., Columbia University, 2008.

Dissertation Abstracts International, Section A: The Humanities and Social Sciences 71.9 (March 2011): 3289.

Cachey, Theodore J., Jr. “Cartografie dantesche: mappando Malebolge.” Critica del Testo 14, no. 2 (2011): 229–60.

Cervigni, Dino. “Re–Configuring the Self through Suffering, Violence, and Death in Dante’s Vita nuova and Comedy. In Alfie and Dini, Accessus ad Auctores, 115–35.

Cherchi, Paolo, and Selene Sarteschi. “Il cielo del Sole. Per una lettura della Commedia a ‘lunghe campate.’” Critica del Testo 14, no. 2 (2011): 311–31.

Christopher, Joe R. “The Dantean Structure of The Great Divorce.” Mythlore 29, no. 3–4 [113–114] (2011): 77–99.

Clogan, Paul M. “Dante’s Appropriation of Lucan’s Cato and Erichtho.” Medievalia et Humanistica, n.s., 37 (2011): 111–15.

Cochran, Peter. “Byron and Alfieri.” In Burwick and Douglass, Dante and Italy in British Romanticism, 55–62.

Cooper, John Xiros. “T. S. Eliot’s Die Einheit der Europäischen Kultur (1946) and the Idea of European Union.” In Douglass, T. S. Eliot, Dante, 145–58.

Cornish, Alison. Vernacular Translation in Dantes Italy: Illiterate Literature. New York: Cambridge University Press, 2011.

Cox, Jeffrey N. “Re–Visioning Rimini: Dante in the Cockney School.” In Burwick and Douglass, Dante and Italy in British Romanticism, 183–204.

Cristofaro, Greta. “Avenues of feeling: Il Dante umanista di Irma Brandeis.” Lettere Italiane 63, no. 2 (2011): 282–301.

Curran, Stuart. Epipsychidion, Dante, and the Renewable Life.” In Burwick and Douglass, Dante and Italy in British Romanticism, 93–104.

Cuzzilla, Tony. “A Defence of the Protagonist: Inf. 1–2.” Electronic Bulletin of the Dante Society of America, November 5, 2011.

Dante and Italy in British Romanticism. Edited by Frederick Burwick and Paul Douglass. New York, N.Y.: Palgrave Macmillan, 2011.

Dante in Oxford: The Paget Toynbee Lectures. Edited by Tristan Kay, Martin  McLaughlin, and Michelangelo Zaccarello. Oxford: Legenda, 2011.

De Nicola, Francesco. “Su Dante in Saba.” Lettere Italiane 63, no. 2 (2011): 273–81.

Delcorno, Carlo. “Dare ordine al male (Inferno XI).” Lettere Italiane 63, no. 2 (2011): 181–207.

Douglass, Paul. “T. S. Eliot’s European Tradition: The Roles of Dante Alighieri and Matthew Arnold.” In Douglass, T. S. Eliot, Dante, 133–44.

Downey, Sarah. “Cordial Dislike: Reinventing the Celestial Ladies of Pearl and Purgatorio in Tolkien’s Galadriel.” Mythlore 29 (2011): 101–17.

Dupont, Christian Y. Reading and Collecting Dante in America: Harvard College Library and the Dante Society. Harvard Library Bulletin 22, no. 1 (2011): 157.

Durling, Robert M. “Paradiso: un’introduzione.” Rassegna europea di letteratura italiana 36 (2011): 11–24.

Elsky, Martin. “Erich Auerbach and Translatio Studii: The German Dante and the Transmission of the Catholic Mediterranean to the English–Speaking World.” In Cross-Cultural Encounters Between the Mediterranean and the English-Speaking Worlds, ed. Christine Reynier (New York, N.Y.: Peter Lang, 2011), 191–208.

Esterhammer, Angela. “Coleridge, Sgricci, and the Shows of London: Improvising in Print and Performance.” In Burwick and Douglass, Dante and Italy in British Romanticism, 143–59.

Ferrini, J. P. “Beckett, lecteur de Dante.” Lettere Italiane 63, no. 2 (2011): 224–52.

Fosca , Nicola. “Par. 33.75: ‘sol differendo nel primiero acume.’” Electronic Bulletin of the Dante Society of America, February 11, 2011.

Fosca, Nicola. “Inf. 2.96: sì che duro giudizio là sú frange.Electronic Bulletin of the Dante Society of America, March 5, 2011.

Franke, William. “Dante’s New Life and the New Testament: An Essay on the Hermeneutics of Revelation.” The Italianist 31, no. 3 (2011): 335–66.

Gaull, Marilyn. “Wordsworth’s Italian Encounters.” In Burwick and Douglass, Dante and Italy in British Romanticism, 15–28.

Ginsberg, Warren. “Dante’s Ovid.” In Ovid in the Middle Ages, ed. James G. Clark, Frank T. Coulson, and Kathryn L. McKinley. (Cambridge: Cambridge University Press, 2011), 143–59.

Gish, Nancy K. “‘Gerontion’ and The Waste Land: Prelude to Altered Consciousness.” In Douglass, T. S. Eliot, Dante, 29–38.

Graver, Bruce. Sitting in Dante’s Throne: Wordsworth and Italian Nationalism.” In Burwick and Douglass, Dante and Italy in British Romanticism, 29–38.

Halmi, Nicholas. “Byron between Ariosto and Tasso.” In Burwick and Douglass, Dante and Italy in British Romanticism, 39–53.

Hart, Thomas Elwood. “Philologia, Beowulf, Commedia.” PMLA 126, no. 3 (2011): 813–15.

Hartnett, Daniel. “Biographical Emulation of Dante in Mena’s Laberinto de Fortuna and Coplas de los siete pecados mortals.” Hispanic Review 79, no. 3 (2011): 351–73.

Hawkins, Peter S. “Bottom of the Universe: Dante and Evil.” In Dante in Oxford: The Paget Toynbee Lectures, 147–59.

Heffernan, Carol F. “Chaucer’s Troilus and Criseyde V. 1821 and Dante’s Paradiso XXII.135. Laughter and Smiles.” Notes and Queries 58, no. 3 (2011): 358–60.

Hoeveler, Diane Long. Germaine de Staël’s Corinne, or Italy (1807) and the Performance of Romanticisms.” In Burwick and Douglass, Dante and Italy in British Romanticism, 133–42.

Hollander, Robert. “Milton’s Elusive Response to Dante’s Comedy in Paradise Lost.” Milton Quarterly 45, no. 1 (2011): 1–24.

Hollander, Robert. “Paradiso XXIII: Do gigli (v. 74) and candori (v. 124) both refer to the apostles?” Electronic Bulletin of the Dante Society of America, January 7, 2011.

Hollander, Robert. “The Moral System of the Commedia and the Seven Capital Sins.” In Critical Insights: The Inferno, edited by Patrick Hunt, 101­–12. Pasadena: Salem Press, 2011. Originally published in Allegory in Dantes Commedia (1969).

Hollander, Robert. “The Prologue(s) to Dante’s Paradiso.” Ramify: The Journal of the Braniff Graduate School of Liberal Arts 2 (2011): 3–27.

Hollander, Robert. The Word ‘Beatrice’ as Rhyme Word in the Commedia (Purgatorio 6.46).” Electronic Bulletin of the Dante Society of America, June 7, 2011.

Hollander, Robert. “What Chaucer Really Did to Il Filostrato: The Ending of the Troilus and its Italian Sources.” Journal of Anglo-Italian Studies 11 (2011): 111­–38.

Holmes, Olivia. “Sex and the City of God.” Critica del Testo 14, no. 2 (2011): 67–108.

Hooper, Laurence E. “Exile and Rhetorical Order in the Vita nova.” LAlighieri 38 (2011): 5–28.

Jacoff, Rachel. “Dante and Rome.” Critica del Testo 14, no. 2 (2011): 43–66.

Jacoff, Rachel. “Reclaiming Paradiso: Dante in the Poetry of James Merrill and Charles Wright.” In Gragnolati, Camilletti, and Lampart, Metamorphosing Dante, 123–36.

Kay, Tristan. “Dido, Aeneas, and the Evolution of Dante’s Poetics.” Dante Studies 129 (2011): 135–60.

Kobakhidze, Temur. “Squaring the Circle: Dantesque Aspects of ‘The Point of Intersection of the Timeless with Time.’” In Douglass, T. S. Eliot, Dante, 53–62.

Lansing, Richard. “American Dante Bibliography for 2010.” Dante Studies 129 (2011): 217–30.

Lansing, Richard. “The Narrative Structure of the Vita Nova. In Alfie and Dini, Accessus ad Auctores, 77–92.

Leonardi, Lino. “The New Text of Dante’s Rime.” In Dante in Oxford: The Paget Toynbee Lectures, 1–23.

Livorni, Ernesto. “Dream and Vision in Dante’s Vita Nova. In Alfie and Dini, Accessus ad Auctores, 93–114.

Lombardo, Luca. “In margine all’edizione Carrai della Vita nova.” Lettere Italiane 63, no. 2 (2011): 253–72.

Long, Mary Beth. “Gum–Poppers Deserve Their Own Level of Hell: Teaching the Inferno to Baptists.” Studies in Medieval and Renaissance Teaching 18, no. 2 (2011): 9–22.

Looney, Dennis. Freedom Readers. The African American Reception of Dante Alighieri and the Divine Comedy. William and Katherine Devers Series in Dante and Medieval Italian Literature 12. Notre Dame, Ind.: University of Notre Dame Press, 2011.

Looney, Dennis. “Literary Heresy: The Dantesque Metamorphosis of LeRoi Jones into Amiri Baraka.” In Gragnolati, Camilletti, and Lampart, Metamorphosing Dante, 305–22.

Macnamara, Kieran. “Virgil and Dante at the Cinecittà: The Influence of Epic Poetry on Italian Popular Cinema.” Offscreen 15, no. 11 (2011).

Madsen, Frank G. “The Wren Pollock Collection: A Victorian Dante Scholar.” Dante: Rivista Internazionale di studi su Dante Alighieri 8 (2011): 23–42.

Malamud, Randy. “Dante as Guide to Eliot’s Competing Traditions.” In Douglass, T. S. Eliot, Dante, 123–32.

Manganiello, Dominic. “‘Dante, e poi Dante: ”: T. S. Eliot, Wendell Berry and ‘Europe’s Epic.’” In Douglass, T. S. Eliot, Dante, 175–94.

Manguel, Alberto. “The Ongoing Commedia.” Parnassus: Poetry in Review 32, no. 1–2 (2011):  41–51.

Marchesi, Simone. Dante and Augustine: Linguistics, Poetics, and Hermeneutics. Toronto: University of Toronto Press, 2011.

Martinez, Ronald L. “Anna and the Angels Sing ‘Osanna’: Palm Sunday and the ‘Cristo’–rhyme in Dante’s Purgatorio and Paradiso.” Critica del Testo 14, no. 2 (2011): 293–309.

Matic, Andrija. “T. S. Eliot, Dante, and Irony.” In Douglass, T. S. Eliot, Dante, 87–94.

Mazzotta, Giuseppe. “The Book of Questions: Prayer and Poetry.” Dante Studies 129 (2011): 25–46.

Mazzotta, Giuseppe. “Musica e storia nel Paradiso 15–17.” Critica del Testo 14, no. 2 (2011): 333–48.

McMenamin, James F. “L’incontro edenico con Beatrice e Io sento sì dAmor la gran possanza.” Dante Studies 129 (2011): 125–34.

Metamorphosing Dante: Appropriations, Manipulations, and Rewritings in the Twentieth and Twenty–First Centuries. Edited by Manuele Gragnolati, Fabio Camilletti, and Fabian Lampart. Vienna–Berlin: Turia–Kant, 2011.

Milburn, Michael. “Art According to Romantic Theology: Charles William’s Analysis of Dante Reapplied to J. R. R. Tolkien’s ‘Leaf by Niggle.’” Mythlore 29, no. 3–4 (2011): 57–75.

Miller, James. “Man with Snake: Dante in Derek Jarman’s ‘Edward II.’” In Gragnolati, Camilletti, and Lampart, Metamorphosing Dante, 213–34.

Mohua, Mafruha. “T. S. Eliot and Dante: A European Anxiety of Romantic Contamination.” In Douglass, T. S. Eliot, Dante, 159–66.

Morgan, Leslie Zarker. “Literary Afterlives in Huon d’Auvergne: ‘The Art of [Dantean] Citation.’” In Alfie and Dini, “Accessus ad auctores, 61–74.

Murphy, Russell Elliott. “Chaucer’s Dante in Eliot’s Waste Land & Other Observations.” Yeats Eliot Review 28 (2011): 3–29.

ONeill, Michael. Realms without a Name: Shelley and Italy’s Intenser Day.” In Burwick and Douglass, Dante and Italy in British Romanticism, 77–91.

Oldcorn, Anthony. “Allen Mandelbaum, 1926–2011.” Dante Studies 129 (2011): 1–6.

Ossola, Carlo. “Dante, poeta d’Italia.” Lettere Italiane 63, no. 2 (2011): 177–80.

Pampinella–Cropper, Margherita. Philomela: The ‘Civic’ Rape of the Empire.” In Alfie and Dini, Accessus ad Auctores, 195–221.

Pasquini, Emilio. “Dal tema del pellegrinaggio alle icone della musica: per una rivisitazione di Purgatorio II.” In Alfie and Dini, Accessus ad Auctores, 183–93.

Pasquini, Emilio. “Dante and the ‘Prefaces of Truth’: From ‘Figure’ to ‘Completion.’ In Dante in Oxford: The Paget Toynbee Lectures, 160–66.

Pasquini, Emilio. “Medieval Polarities: Dantism and Petrarchism.” In Dante in Oxford: The Paget Toynbee Lectures, 167–79.

Patea, Viorica. “Eliot, Dante and the Poetics of a ‘Unified Sensibility.’” In Douglass, T. S. Eliot, Dante, 15–28.

Picone, Michelangelo. “Dante, Ovid, and the Poetry of Exile.” In Dante in Oxford: The Paget Toynbee Lectures, 24–38.

Pugh, Tison. “Naked Icons of Medievalism: A Case Study of Dante.” Medieval Perspectives 26 (2011): 57–76.

Query, Patrick. “Our Own Field of Action: T. S. Eliot, Verse Drama, and the Mind of Europe.” In Douglass, T. S. Eliot, Dante, 167–74.

Ravenscroft, Simon. “Usury in the Inferno: Auditing Dante’s Debt to the Scholastics.” Comitatus 42 (2011): 89–114.

Regn, Gerhard. “Negotiating Religion and Art: Wagner, Petrarch, Dante.” MLN 126, no. 4 (2011): S77–S88.

Rossini, Antonio. Dante: Il nodo e il volume. Una lectura di Paradiso 33. Pisa: Fabrizio Serra Editore, 2011.

Ruczaj, Maciej. “Infernal Poetics/Infernal Ethics: The Third Policeman between Medieval and (Post)Modern Netherworlds.” Review of Contemporary Fiction, 31, no. 3 (2011): 91–105.

Russo, Florence. “Golden Age Themes in Dante’s ‘Tre donne intorno al cor.’” Italian Culture 29, no. 2 (2011): 95–106.

Russo, Florence. Dantes Search for the Golden Age. Stony Brook, N.Y.: Forum Italicum, 2011.

Ruud, Jay. “‘A Great Flash of Understanding’: Teaching Dante and Mysticism.” Studies in Medieval and Renaissance Teaching 18, no. 2 (2011): 101–16.

Saglia, Diego. “Hemans’s Record of Dante: ‘The Maremma’ and the Intertextual Poetics of Plentitude.” In Burwick and Douglass, Dante and Italy in British Romanticism, 117–32.

Schneider, Federico. “Some more Dantean overtones in Monteverdi’s ‘Orfeo.’” Rassegna europea di letteratura italiana 36 (2011): 99–109.

Scott, John. “A ‘Divine Comedy’ in the Antipodes.Electronic Bulletin of the Dante Society of America, January 19, 2011.

Scott, John. “Dante ha rivisto il testo dell’Inferno nel 1314?” Studi Danteschi 76 (2011): 115–28.

Selenu, Stefano. “The Linguistic Problem in Dante: A Gramscian Pathway toward Modern Vernacular World.” PhD diss., Brown University, 2010. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 71.12 (June 2011): 4409.

Sherberg, Michael. “Coin of The Realm: Dante and the Simonists.” Dante Studies 129 (2011): 7–23.

Silverman, Diana C. “The Life of Cunizza da Romano: A Study of Marriage and Violence in Dante’s Italy.” PhD diss., Columbia University, 2008. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 71.9 (March 2011): 3265–3266.

Smith, Michael Bennet. “Disparate Measures: Poetry, Form, and Value in Early Modern England.” PhD diss., University of Oregon, 2010. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 72.1 (July 2011): 204.

Southerden, Francesca. “‘Per–tras–versioni’ dantesche: Post-Paradisiacal Constellations in the Poetry of Vittorio Sereni and Andrea Zanzotto.” In Gragnolati, Camilletti, and Lampart, Metamorphosing Dante, 153–76.

Sowell,  Madison. “‘Quanto si convenia a tanto uccello’ (Inf. 34.47): Dante’s Satan as Winged Phallus.” In Alfie and Dini, Accessus ad Auctores, 169–81.

Sri, P. S. “The Dantean Rose and the Hindu-Buddhist Lotus in the Poetry of T. S. Eliot.” In Douglass, T. S. Eliot, Dante, 39–52.

Steinberg, Justin. “Judical Discretion and Poetic License in De vulgari eloquentia and Purgatorio 27.” Critica del testo 14, no. 2 (2011): 179–98.

Steinberg, Justin. “Dante and the Laws of Infamy.” PMLA 126, no. 4 (2011): 1118–26.

Stevens, Elizabeth Emslie. “Dante’s Danielisms: New Angles on the Scriptural Side of Dante, Theology and Hermeneutics of the Book of Daniel in the ‘Commedia.’” PhD diss., University of California–Los Angeles, 2010. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 71.12 (June 2011): 4388–89.

Summers, David. “Paradise Deferred: Eliot’s Truncated Dantean Pilgrimage.” In Douglass, T. S. Eliot, Dante, 75–86.

T. S. Eliot, Dante, and the Idea of Europe. Edited by Paul Douglass. Newcastle upon Tyne, Eng.: Cambridge Scholars Publishing 2011.

Tilottama, Rajan. “The Poetry of Philology: Burckhardt’s Civilization of the Renaissance in Italy and Mary Shelley’s Valperga.” In Burwick and Douglass, Dante and Italy in British Romanticism, 105–16.

Tookey, Keith. “Dante’s Divine Comedy and Bradbury’s Fahrenheit 451: Dynamic Stories of Awakening, Enlightenment, and Redemption.” Midamerica: The Yearbook of the Society for the Study of Midwestern Literature 38 (2011): 104–117.

Topping, Ryan N. S. “The Divine Comedy and Four Lessons in the Catholic Moral Vision.” Logos 14, no. 4 (2011): 39–54.

Trione, Fortunato. Paura del senso e timore di Dio: Misticismo nella Divina Commedia.” Dante Studies 129 (2011): 187–216.

Valterza, Loren Michael. “Infernal Retainers: Dante and the Juridical Tradition.” PhD diss., Rutgers University, New Brunswick, 2010. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 71.10 (April 2011): 3648.

Valterza, Lorenzo. Dantes Justinian, Cinos Corpus: The Hermeneutics of Poetry and Law. Medievalia et Humanistica, n.s., 37 (2011): 89110.

Valterza, Lorenzo. “Rectification, Confession, Torture: Justice and Juridical Conventions in Inferno 13.” Dante Studies 129 (2011): 161–78.

Verduin, Kathleen. “Bread of Angels: Dante Studies and the Moral Vision of Charles Eliot Norton.” Dante Studies 129 (2011): 63–97.

Vintila, Vlad Tudor. “After Iphis: Ovidian Non–normative Sexuality in Dante and Ariosto.” PhD diss., Columbia University, 2010. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 71.9 (March 2011): 3291–92.

Watt, Mary. “‘Quella Dolce Terra Latina’: The Dantesque Landscape of Moravia’s La Ciociara (‘Two Women’).” In Alfie and Dini, Accessus ad Auctores, 239–50.

Webb, Heather. “Dante’s Definition of Life.” Dante Studies 129 (2011): 47–62.

Webb, Heather. “Deceit, Desire, and Conversion in Girard and Dante.” Religion and Literature 43, no. 3 (2011): 200–208.

Webb, Timothy. “‘Syllables of the Sweet South’: The Sound of Italian in the Romantic Period.” In Burwick and Douglass, Dante and Italy in British Romanticism, 20524.

West, Rebecca. Wives and lovers in Dante and Eugenio Montale. In Gragnolati, Camilletti, and Lampart, Metamorphosing Dante, 20111.

Wetherbee, Winthrop. “Judging Dido.” LAlighieri 38 (2011): 31–45.

Wilson, A. N. Dante in Love. New York: Farrar, Straus & Giroux, 2011.

Yousefzadeh, Mahnaz. Dante Alighieri. New York, N.Y.: Palgrave Macmillan, 2011. 

 

Reviews

Alighieri, Dante. La Commedia di Dante Alighieri. Commentary by Robert Hollander. Translated and edited by Simone Marchesi. Florence: Olschki, 2011. Reviewed by:

            Massimo Seriacopi. La Rassegna della letteratura italiana 37, no. 2 (2011): 436–37.

            [Unsigned], Lettere Italiane 63, no. 3 (2011): 496–97.

            Enrico Malato, Rivista di studi danteschi 11, no. 2 (2011): 397–99.

Alighieri, Dante. The Divine Comedy of Dante Alighieri. Vol. 3, Paradiso. Translated by Robert M. Durling. Oxford: Oxford University Press, 2011. Reviewed by:

            [Unsigned], Lettere Italiane 63, no. 2 (2011): 339–41.

Alighieri, Dante. Inferno. Translated by Stanley Lombardo. Cambridge, Eng.: Hackett, 2009. Reviewed by:

            Jason M. Houston, Speculum 86, no. 1 (2011): 177–78.

Boccaccio, Giovanni. Boccaccio’s Expositions on Dante’s “Comedy.” Ed. Michael Papio. Toronto, Ont.: University of Toronto, 2009. Review by:

            Dario Del Puppo, Speculum 86, no. 4 (2011): 1052–53.

Ardizzone, Maria Luisa. Dante. Il paradigma intellettuale. Un inventio degli anni fiorentini. Florence: Olschki, 2011. Reviewed by:

            Giovanni Colucci, Esperienze letterarie 36, no. 4 (2011): 147.

Barański, Zygmunt G., and Martin McLaughlin, eds. Dante the Lyric and Ethical Poet: Dante lirico e etico. London: Modern Humanities Research Association and Maney Publishing, 2010. Reviewed by:

            Unn Falkeid, Renaissance Quarterly 64, no. 1 (2011): 157–58.

Barański, Zygmunt G., and Martin McLaughlin, eds. Italys three Crowns: Dante, Petrarca and Boccaccio. Oxford: Bodleian Library, 2007. Reviewed by:

            Elisabeth Lecker, Deutsches Dante Jahrbuch 85/86 (2010–11): 381–87.

Candido, Igor, and Francesco Caruso, eds. Special Issue in Honor of J. Freccero: Fifty Years with Dante and Italian Literature. MLN 124, no. 5 [Supplement] (2009). Reviewed by:

            Fabian Alfie, Italica 88, no. 4 (2011): 657–58.

Cerocchi, Marco. Funzioni semantiche e metatestuali della musica in Dante, Petrarca e Boccaccio. Florence: Olschki, 2010. Reviewed by:

            Stefano Adami, Annali d’Italianistica 29 (2011): 510–11.

            Fabian Alfie, Heliotropia 8–9, nos. 1–2 (2011–12): 120–21.

            Reinier Leushuis, Italica 88, no. 4 (2011): 660–62.

            Timothy McGee, Quaderni ditalianistica 32, no. 2 (2011): 217–18.

            Cecilia Panti, Studi Danteschi 76 (2011): 269–71.

            Barbara Zaczek, Forum Italicum 45, no. 2 (2011): 491–92.

Ciabattoni, Francesco. Dantes Journey to Polyphony. Toronto: University of Toronto Press, 2010. Reviewed by:

            Antonio Rossi, Quaderni ditalianistica 32, no. 1 (2011): 135–36.

Cornish, Alison. Vernacular Translation in Dantes Italy: Illiterate Literature. New York: Cambridge University Press, 2011. Reviewed by:

            Stephen J. Milner, Renaissance Quarterly 64, no. 4 (2011): 1253–54.

Cristiano, Anthony. Dante Alighieris Inferno Metaphor. With a preface by Franco Pierno. Toronto: Polypus Publishing, 2010. Reviewed by:

            Massimo Verdicchio, Annali dItalianistica 29 (2011): 512–13.

Dante the Lyric and Ethical Poet: Dante lirico e etico. Edited by Zygmunt G Barański and Martin McLaughlin. Legenda, London, 2010. Reviewed by:

            Unn Falkeid, Renaissance Quarterly 64, No. 1 (2011): 157-58.

Dante’s Commedia: Theology as Poetry. Edited by Vittorio Montemaggi and Matthew Treherne. Notre Dame, Ind.: University of Notre Dame Press, 2010. Reviewed by:

            Heather Webb, Italica 88, No. 2 (2011): 297-98.

            Filippo Zanini, LAlighieri 38 (2011): 151–54.

Di Fonzo, Claudia. Lultima forma dellOttimo Commento: Chiose sopra la Comedia di Dante Alleghieri fiorentino tracte da diversi ghiosatori: Inferno. Ravenna: Longo Editore, 2008. Reviewed by:

            Elizabeth Emslie Stevens, Annali dItalianistica 29 (2011): 516–17.

Fyler, John M. Language and the Declining World in Chaucer, Dante, and Jean de Meun. Cambridge Studies in Medieval Literature 63. Cambridge: Cambridge University Press, 2007. Reviewed by:

            Theresa Coletti, Philology 109, no. 2 (2011): E94–E97.

Gragnolati, Manuele, Fabio Camilletti, and Fabian Lampart, eds. Metamorphosing Dante: Appropriations, Manipulations, and Rewritings in the Twentieth and Twenty–First Centuries. Vienna: Turia–Kant, 2011. Reviewed by:

            Nicolino Applauso, Italica 88, no. 4 (2011): 658–60.

Holmes, Olivia. Dantes Two Beloveds: Ethics and Erotics in the Divine Comedy. New Haven: Yale University Press, 2008. Reviewed by:

            Diana Glenn, Forum Italicum 45, no. 1 (2011): 277–79.

            Tristan Kay, Speculum 86, No. 4 (2011): 1083–84.

Houston, Jason. Building a Monument to Dante: Boccaccio as Dantista. Toronto: University of Toronto Press, 2010. Reviewed by:

            James H. S. McGregor, Renaissance Quarterly 64, no. 1 (2011): 156–57.

Karampetsos, E.D. Dante and Byzantium. Somerset Hall Press, 2009. Reviewed by:

            Gregory B. Stone, Religion & Literature 43, no. 1 (2011): 191–93.

Looney, Dennis. Freedom Readers. The African American Reception of Dante Alighieri and the Divine Comedy. Notre Dame, Ind.: University of Notre Dame Press, 2011. Reviewed by:

            Aldon Nielsen, Renaissance Quarterly 64, no. 4 (2011): 1254–56.

            Antonio Rossini, Quaderni ditalianistica 32, no. 2 (2011): 219–21.

Metamorphosing Dante. Appropriations, Manipulations, and Rewritings in Twentieth and Twenty-First Centuries. Edited by Manuele Gragnolati, Fabio Camilletti, and Fabian Lampart. Berlin: Turia + Kant, 2010. Reviewed by:

            Nicolino Applauso, Italica 88, no. 4 (2011): 658–60.

Roncaccia, Albero. Il metodo critico di Ludovico Castelvetro. Rome: Bulzoni, 2006. Reviewed by:

            Hans Honnacker, Italica 88, No. 4 (2011): 662–64.

Scott, John A. Perché Dante? Roma: Aracne, 2010. Reviewed by:

            Marcello Ciccuto, Studi Danteschi 76 (2011): 281–85.

Special Issue in Honor of J. Freccero: Fifty Years with Dante and Italian Literature. Special Supplement to MLN 124:5. December 2009. Edited by Igor Candido and Francesco Caruso. Reviewed by:

            Fabian Alfie, Italica 88, no. 4 (2011): 657–58.

Straub, Julia. A Victorian Muse: The Afterlife of Dante’s Beatrice in Nineteenth-Century Literature. New York: Continuum, 2009. Reviewed by:

            Joseph Phelan, Victorian Studies 54, no. 1 (2011): 166–68.